22,605 Free Images of Hand Paint

etchings in the yale center for british artetchinghand-coloredyale center for british artisaac cruikshankjames gillrayrichard newtonjohn cawse
A Delitanti Performance of Midas at Turnbridge Wells, October 1792, Isaac Cruikshank
etchings in the yale center for british artisaac cruikshank
Resist Unto Blood, the True Christian Warfare, The Spirit Against the Flesh (A Clerical Boxing Match), Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
The Raft in Danger of the Republican disappoointed, Isaac Cruikshank, 1798
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All of One Mind or a Mutual Agreement amongst Traveller, Richard Newton, 1794
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John Bull at His Studies. Attended by His Guardian Angell, James Gillray, 1799
etchings in the yale center for british artjames gillray
The Soldier's Return; - or - Rare News for Old England - See the Conquering Hero Comes., James Gillray, 1791
etchings in the yale center for british artjames gillray
John Bull Ask'd at Saint Stephens, John Cawse, 1800
etchings in the yale center for british artjohn cawse
Swearing to the Cutting Monster or - A Scene in Bow Street, James Gillray, 1790
etchings in the yale center for british artjames gillray
Suffolk Rats protecting their Cheese, or the County Fencibles called to Arms, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
Billy's Fantoccini or John Bull over Curious, Isaac Cruikshank, 1798
etchings in the yale center for british artisaac cruikshank
Glorious Reception of the Ambassador of Peace, on His Entry Into Paris, James Gillray, 1796
etchings in the yale center for british artjames gillray
A Political Wil'O The Wisp, Richard Newton, 1795
etchings in the yale center for british artrichard newton
The Near in Blood, the Nearer Bloody, Isaac Cruikshank, 1793
etchings in the yale center for british artisaac cruikshank
The Thieves detected at Last, or - a Wonderful Discovery at Windsor Farm, Richard Newton, 1792
etchings in the yale center for british artrichard newton
Cincinnatus in Retirement, Falsely Supposed to Represent Jesuit-Pad' Driven Back to his Native Potatoes. (from: Caricature, vol. 2), James Gillray, 1782
etchings in the yale center for british artjames gillray
Extirpation of the Plagues of Egypt, James Gillray, 1798
etchings in the yale center for british artjames gillray
New Morality; - or - The Promis'd Installment of the High-Priest of the Theophilanthropes, - with the Homage of Leviathan and his Suite, James Gillray, 1798
etchings in the yale center for british artjames gillray
John Bull Ground Down, James Gillray, 1795
etchings in the yale center for british artjames gillray
The Bishop of a Tun's Breeches; - or - The Flaming Eveque, Purifying the House of Office, James Gillray, 1792
etchings in the yale center for british artjames gillray
A Worthy Alderman and his Friends Canvasing or Strong Recommendations for a Member of Parliament, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
The Castle in the Moon. A New Adventure, Not Mentioned By Cerventes, James Gillray, 1782
etchings in the yale center for british artjames gillray
Substitutes for Bread; - or - Right Honorables, Saving the Loaves and Dividing the Fishes, James Gillray, 1795
etchings in the yale center for british artjames gillray
Pluck'd Pigeons, Richard Newton, 1792
etchings in the yale center for british artrichard newton
A Lack Water Canal, Isaac Cruikshank
etchings in the yale center for british artisaac cruikshank
The Soliloquy, James Gillray, 1782
etchings in the yale center for british artjames gillray
Lieu(tenan)t Gove(rne)r Gallston's Monkey Breaking of Sir Sydney's Ape, Isaac Cruikshank
etchings in the yale center for british artisaac cruikshank
Modern Marriage A La Mode Sweet Fruits of the Third Honey Moon!!, Isaac Cruikshank, circa 1796
etchings in the yale center for british artisaac cruikshank
A Proclamation in Lilliput, Richard Newton, 1792
etchings in the yale center for british artrichard newton
Over Weight - or the Sinking Fund - or the Downfall of Faro, Richard Newton, 1797
etchings in the yale center for british artrichard newton
Fatal Effect of the French Defeat - Hanging (and) Drowning, James Gillray, 1795
etchings in the yale center for british artjames gillray
The Freemen Triumphant or the Mare Foald or Here Folly, Isaac Cruikshank, possibly 1789
etchings in the yale center for british artisaac cruikshank
The Frogs Rejecting their King, John Cawse, 1799
etchings in the yale center for british artjohn cawse
The Lover's Dream, James Gillray, 1795
etchings in the yale center for british artjames gillray
French Democrats Surprizing the Royal-Runaways, James Gillray, 1791
etchings in the yale center for british artjames gillray
A Scene in the Gamester, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
The Humbug or an Attempt at Tragedy with the Jordan (struck through and replaced by) Joram Upsett, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
A Disunion or the Family Compact Disturbed, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
General Swarrow Towing the French Directory into Russia, Isaac Cruikshank, 1799
etchings in the yale center for british artisaac cruikshank
A Flight Across the Herring Pool, Isaac Cruikshank, 1800
etchings in the yale center for british artisaac cruikshank
The Enraged Politician or the Sunday Reformer or a Noble Bellman Crying Stinking Fish, Isaac Cruikshank, 1797
etchings in the yale center for british artisaac cruikshank
Blindmans-Buff - or - Too Many for John Bull, James Gillray, 1795
etchings in the yale center for british artjames gillray
Reflections on the French Revolution, Isaac Cruikshank, 1793
etchings in the yale center for british artisaac cruikshank
A Royal Salute, Isaac Cruikshank, 1791
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French Liberty - British Slavery, James Gillray, 1792
etchings in the yale center for british artjames gillray
The Aristocratic Crusade, or Chilvalry Revived by Don Quixote de St. Omer and His Friend Sancho, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
Wha Wants Me?, James Gillray, 1792
etchings in the yale center for british artjames gillray
St. George & The Dragon & Mad[emoise]lle Rippooting, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
The Gradual Abolition off (sic) the Slave Trade, or Leaving of Sugar by Degrees, Isaac Cruikshank
etchings in the yale center for british artisaac cruikshank
John Bull, in a Quandary, Which Way Shall I Turn Me, How Shall I Decide?, James Gillray, 1789
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Homer Singing His Verses to the Greeks, James Gillray, 1797
etchings in the yale center for british artjames gillray
The Table's Turn'd. Billy, in the Devil's Claws. - Billy, Sending the Devil Packing, James Gillray, 1797
etchings in the yale center for british artjames gillray
Hibernian Sagacity and Sang Froid, Richard Newton, 1795
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A Democrat, - or - Reason and Philosophy, James Gillray, 1793
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The Royal Academy, James Gillray, 1786
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British Servants, with Honesty and Fidelity - Against French Servants, with Perfidy and Impudence! (Four vignettes), Richard Newton, 1795
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A Spy!!! or the Blessings of a Convention Bill, Isaac Cruikshank, 1795
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Le Roi Esclave on Les Sujets Rois Female Patriotism, Isaac Cruikshank, 1789
etchings in the yale center for british artisaac cruikshank
The Russian Bruiser Getting his Dose - With his Seconds Thirds bottle Holder and (?) coming in for their Share, Isaac Cruikshank, 1801
etchings in the yale center for british artisaac cruikshank
A Right Honorable (sic) Alias a sans Culotte, Isaac Cruikshank, 1792
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A Visit to the Irish Pig!... With Reflections Physical & Moral, Isaac Cruikshank, 1799
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The Budget or John Bull Frightened Out of His (Money) Wits, Isaac Cruikshank, 1797
etchings in the yale center for british artisaac cruikshank
Paille d'Avoine - Paille d'Avoine, James Gillray, 1786
etchings in the yale center for british artjames gillray
The Leadenhall Volunteer, Drest in his Shawl, James Gillray, 1797
etchings in the yale center for british artjames gillray
Opening of the Budget; - or - John Bull Giving His Breeches to Save His Bacon, James Gillray, 1796
etchings in the yale center for british artjames gillray
The Royal Soldier in His Majesty's Service, Isaac Cruikshank, 1798
etchings in the yale center for british artisaac cruikshank
The Caneing in Conduit Street - Dedicated to the Flag Officers of the British Navy, James Gillray, 1796
etchings in the yale center for british artjames gillray
Patern-Staff - Weymouth, James Gillray, 1797
etchings in the yale center for british artjames gillray
John Bulls hint for a Profitable Alliance, Isaac Cruikshank, 1794
etchings in the yale center for british artisaac cruikshank
One of the Family!, Isaac Cruikshank, 1795
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An Irish Union, Isaac Cruikshank, 1799
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The Origin of Cockney, Isaac Cruikshank, 1798
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The Westminster Mountebank, or Palace Yard Pranks, Isaac Cruikshank, 1795
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Dumourier Dining in State at St. James on the 15th of May 1793, James Gillray
etchings in the yale center for british artjames gillray
Flannel Coats of Mail against the Cold or the British Ladies Patriotic Presents to the Army, Isaac Cruikshank, 1793
etchings in the yale center for british artisaac cruikshank
John Bull in a Rage, forcing nic Frog to Fight against his Will, Isaac Cruikshank, 1793
etchings in the yale center for british artisaac cruikshank
Scotch Eloquence to a Chilly Congregation, Isaac Cruikshank, 1798
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The Coming-On, of the Monsoons; or - The Retreat from Seringapatam, James Gillray, 1791
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The - Battle Royal, or Who Wears the Breeches, James Gillray, 1784
etchings in the yale center for british artjames gillray
The Prodigal Son, James Gillray, 1787
etchings in the yale center for british artjames gillray
The Slough of Despond----; Vide - The Patriots Progress, James Gillray, 1793
etchings in the yale center for british artjames gillray
Polonius, The Tallest, Fittest, Properest, Man to Walk before the King!!, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
The Feast of Reason, & the Flow of Soul, - ie: - The Wits of the Age, Setting the Table in a Roar, James Gillray, 1797
etchings in the yale center for british artjames gillray
The Legacy, James Gillray, 1786
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Enjoying an Old Friend, Richard Newton, 1795
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Galic Perfidy, or the National Troops Attachment to their General after their Defeat at Tournay, Isaac Cruikshank, 1792
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The Pot calling the Kettle Black A - Or Two of a Trade can never Agree, Isaac Cruikshank, 1791
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How to Gammon the Deep, Ones or the Way to Overturn a Coach Ac(c)ording to Act of P(ar)l(ia)m(en)t (from: Caricature, vol. 4), Isaac Cruikshank, 1794
etchings in the yale center for british artisaac cruikshank
Oysters. Oysters. I Us'd for to Cry, When the Wind Blew so Hard that my Boat could not Ply, Isaac Cruikshank, 1792
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The Gilpin Whigs Return to Rochester without their Candidate, Isaac Cruikshank, circa 1790
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Political Boxing; or an Attack, at the Woolsack, Richard Newton, 1792
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Dainty Nice Sprats, Ho!, Richard Newton, 1792
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Self Murder or the Wolf Tried and Convicted on his own Evidence, Isaac Cruikshank, 1791
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The First of April or, A Meeting of Creditors, Samuel Collings, 1785
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Billy & Harry in Their Glory or a Great Man Kicked Out of Place, Isaac Cruikshank, 1798
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The Triumph of Bacchus or a Consultation on the Additional Wine Duty!!!, Isaac Cruikshank, 1796
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John Taylor, Verger to the Lodge of Black Friars, at the Fos, Bloomsbury most worthy Father - (') T-is Past Eleven O'Clock, Richard Newton, 1793
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An Epilogue - to the Way to get Married, Isaac Cruikshank, 1795
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John Bull Humbugg'd alias Both-ear'd, Isaac Cruikshank, 1794
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The Sleep-Walker, James Gillray, 1795
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Field Marshall Count Suwarrow-Rominskoy ---, James Gillray, 1799
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